Books & Reviews Archive

The protagonist is a young Ethiopian; the adolescent longing to leave his remote village behind drives him to choose a purpose and a city: to become a great writer in Kampala, which, despite being the capital of Uganda, like him «belonged to no one and no one could claim it». It is therefore a non-place, where the young man hides, forgets, or simply abandons the twenty-five names by which he was

Two boys, sixteen-year-old Grady and seventeen-year-old Rawlins, rest on their saddle blankets after dismounting their horses. > The night was cold and clear and the sparks rising from the fire spread warmth and reddish glows among the stars. They could hear the trucks out on the highway and they could see the lights of the town reflected far in the desert fifteen miles to the north. What do y

Paul Krugman, the American Nobel laureate in economics, begins his recent book (*End This Depression Now!*) by recalling how unemployment is "an immense human disaster," not only because of the resulting financial hardships, but because the effects on one's dignity, self-respect, and sense of control over one's life can be devastating. One no longer feels like a protagonist, and a profound malais

The protagonist loses his wife and children in a plane crash. To escape despair, he writes the biography of a silent-film actor who had vanished without a trace. Tracked down by Alma, with whom he falls in love, he learns that the former actor lives on a farm, where he has continued to make films that he has resolved to destroy upon his death. The protagonist reaches the country house to witnes

A teacher at the end of his career, married without children, with a wife who is an accountant by trade, decides to recount two pivotal events from his adolescence. Had he been—who knows?—an astronaut, a Silicon Valley adventurer, or simply a sensitive, and therefore fragile, person, he might have given us a tale less prosaic and intellectualized, yet rich in emotion and feeling; instead, the spr

This is a short story in which two parallel narratives unfold. In the first, an aspiring screenwriter, forced to sell insurance for a living, desperately pursues a script reader to whom he has submitted his work. In the second, a poet, now famous and wealthy, is forced to endure futile meetings with publishing house staff and submit to demands for revisions to his poems. Regardless of the initi

A successful author decides to abandon her genre to venture into other narrative territory. As often happens, this attempt turns out to be a resounding failure. Critics, however, have judged it very favorably: in the magazine *Internazionale*, the novel was awarded top marks, five stars. Did I fail to understand the book’s merits, or are publishing houses’ profit expectations dictating critical

The novel is set in England between the late nineteenth and early twentieth centuries. It is the triumphant era of the bourgeoisie, which would come to a tragic end with the First World War. Technological and artistic innovation—including in the decorative arts and crafts—individual freedom and equality, the role of women and feminism, socialist and anarchist ideas: these are the defining hallma

The novel is set in England, where a secret agent must negotiate the purchase of coal for his country at war. The book is dull, perhaps because it is not so different from Greene’s other adventure novels, and in any case it lacks the irony and narrative pace of *Our Man in Havana*.

Eric Packer is a brilliant young financier who loses and makes millions of dollars in a matter of seconds, speculating on currencies and the stock market. The novel chronicles a single day in which Eric travels across the city in his limousine, alternating between fleeting sexual encounters, hurried breakfasts, traffic jams caused by violent protests and the funeral of a music idol, a doctor's ex

The novel is set in France and recounts the search for the Holy Grail—which purportedly points to the existence of a female apostle—and for a sect that has concealed and guarded this secret across the centuries, one of which Leonardo da Vinci was allegedly a member. Following the murder of the Louvre curator who was the custodian of the secret, his granddaughter and a scholar of medieval symbolo

The book brings together fifteen stories, the last four of which > form a separate unit, autobiographical in feeling, sometimes even in fact . To make overall sense of stories that might otherwise be viewed as episodes of a female condition devoid of evolution and without outlets ( > too late to do anything else. When it could be worse, much worse ), one should perhaps start from the final

The book is set in Venice and is a detective novel. A renowned conductor dies in his dressing room during an opera performance. A police inspector investigates, naturally suspecting homicide. In the end, it turns out to be suicide. The conductor had abused his wife’s daughter, who, by administering antibiotic injections, renders him progressively deaf. Driven by despair, the conductor killed

The bottom line is very simple: a wasted talent. Remarkable stylistic skill is placed at the service of tedious stories devoid of narrative development, inconclusive and cynical relationship dramas: in short, an unbearable book. In *Listen Carefully as Our Options Have Changed*, Mark has discovered that his wife, Laura, is cheating on him: he knows because he hired a detective to tail her and ha

*Disguises*—in Italian, *travestimenti*—is a short story centered on the theme of disguise as an ambiguous game leading to the distortion of reality and of the self. Henry, a ten-year-old boy, is orphaned and goes to live with his aunt, a former actress. The boy is made to undergo an evening ritual in which the two dress up and perform the roles inherent to their assumed appearances. It is a ga

The central theme of the story is the family, viewed by Leavitt as a closed, central nucleus in which relationships among members are vitiated by convictions and hypocrisies. A family reunion is organized, serving, however, as an occasion for each to expect roles and behaviors from the other that often bear no relation to the individual’s true desires. Not even the discovery of one of the family

For William Faulkner, the short story is akin to poetry, "almost every word must be the right one"; and indeed, the narrative is dense, hermetic, rich in symbolism, and difficult to interpret. As in *Red Leaves*, the very choice of title raises numerous questions: what does it signify? For some commentators, the writer intended to refer to the cycle of the seasons, thereby emphasizing that what s

San Suu was born in 1945, two years before the assassination of her father, founder of independent Burma and national hero. This biographical detail is essential to understanding this collection of essays, speeches, letters, and interviews, published between 1984 and 1994. Aims and prose vary, circumstances change, yet San Suu’s concern always shines through: to understand her father’s legacy,

The book is set in seventeenth-century Holland and recounts the story of a young maid who becomes, first, a painter's assistant and then the subject of a portrait. Layered together are the young woman’s intimate personal story (her family, her working environment, her betrothal, and the blandishments of a wealthy merchant), the depiction of the milieu, and the execution of a portrait, complete wi

What an ordeal! It is an extremely tedious book, so steeped in intellectualisms as to make one lose both the sense and the direction of the reading. Herzog, a scholar of Romanticism, has been left by his second wife. He enters a phase of physical and psychological delirium, wanders between New York and Chicago, and imagines carrying on a correspondence with figures from his life, as well as with

The book depicts a parallel narrative set across different historical periods. The protagonist inherits a house that once belonged to an Elizabethan-era alchemist (the setting is London). The story of this figure is thus evoked, overlapping with the narrative of the protagonist's gradual discovery of the house (or of himself). The style is verbose and tedious, devoid of the slightest narrative

The book charts the emotional and existential journey of a young girl, Jane. An orphan, she lives first with her aunt, who later sends her to a grim, austere school where she navigates adolescence to become a young teacher. On her own initiative, she secures a position as a governess to a young girl in the household of a wealthy landowner. He is a restless figure, constantly traveling, self-abs

> È solo da quando sono arrivata qui che comprendo quanto poco conosca di Nonna, quanto raramente avevo veramente pensato alla sua vita. Ora, dovunque io vada penso a lei. La immagino seduta su questa panchina; fare la coda in quel negozio; passeggiare lungo questa strada all’ombra di questi alberi. (…) Mi chiedo come la mia riservata ed esile Nonna si sia abituata ad essere guardata tutto il temp

The setting is the England of the second half of the nineteenth century, marked by widespread poverty, rising criminality, and a bigoted bourgeoisie that was often hostile toward the poor. Oliver is a foundling who is first raised in a workhouse, only to be apprenticed (or handed over) to a family to learn a trade. There he suffers relentless abuse and consequently decides to flee, only to fall