The Good Life and Others' Wars of Mr. Pyle, Gentleman
Title of the original version reviewed: «Bella vita e guerre altrui di Mr. Pyle Gentiluomo»
AI Translation Notice: This review was translated from the original Italian using artificial intelligence. Book quotes and excerpts are translated interpretations and will not match the author's original English phrasing or official published translations.
Imagine a Martian sent to Earth to understand what Humans are doing: whether war is to be expected or if we may hope for peace, which would allow interstellar commerce to continue. On the one hand, this visitor, bewildered yet indifferent (Earthlings' problems, after all!), would glean only a muddled impression; on the other, he might be an inquisitive traveler, somewhat horrified by our squalor and somewhat captivated by ancient monuments and beautiful women. Poised between metaphor and history, Barbero recounts the experiences of an American gentleman, Mr. Robert Pyle, traveling through the Prussia of 1806, at the height of the Napoleonic Wars, tasked with sending weekly dispatches to the United States ambassador in London. The first evident reality is that, traveling from Amsterdam to Berlin, he constantly encounters so many borders—some within Prussia itself—as to suggest that
the geography of European states resembles a puzzle left unfinished by a petulant child rather than a product of human reason, and it is hardly surprising that their politics should be guided above all else by fear of their neighbors. Could he be speaking of our own Europe? And then, with
that freedom the traveler enjoys to choose the roads to take, the dishes to savor, the girls to caress
, Mr. Pyle can
spend the afternoon in the palace of a grand seigneur conversing in French
, and end
the evening in the inn's courtyard, listening to the landlady's chatter and watching the scullery maid wash dishes in the kitchen by lantern light. Our gentleman does not merely observe; whenever possible, he reaps the fruits of fleeting encounters—be they prostitutes, young maidservants, or peasant girls persuaded by a few thalers, or fleeting, Byronic liaisons with noblewomen of the Berlin court. The only thing that holds him back is the risk of contracting some venereal disease. There are other pleasant diversions: conversations with Prussian officers,
capable even of philosophical reflections
, card games where our Pyle unfailingly loses a tidy sum of thalers, the elegant salons where French is spoken and one is either for the war or against it, yet always admiring Bonaparte. Our gentleman even manages to meet Fichte and Goethe—the former just as history of philosophy presents him, the latter disappointing: a garrulous drunkard. Is this the mission entrusted to him? Amid brothels, grueling travel between coaching inns, and long conversations, our Robert even manages to meet Prussian ministers, Frederick William III himself, and the drowsy sovereigns of the minor North German states, such as Hanover and Saxony. And when he has no news to report, no matter: it is enough to read the Parisian Moniteur, even days old, or fabricate supposed intelligence to be denied or corrected in the following dispatch. For Mr. Pyle, it is an exhausting yet ultimately pleasant journey; for us, a splendid portrait of early nineteenth-century Germany awaiting an inevitable war, for at stake is the pride of a military caste forged by Frederick the Great and the nascent nationalism of the German nation. What shatters this grand tour, rendering all martial pretensions fatuous and reckless, are the disastrous defeats of Jena and Auerstedt, which lay bare the Prussian army's lack of preparation and the strategic backwardness of its generals. With a historian's precision, Barbero exposes the dark underside of war: soldiers marching to their deaths poorly equipped and in disarray, yet driven by the ancestral fatalism of obedient serfs; burned and pillaged homes, with civilians murdered, raped, or desperately fleeing; generals traveling in carriages, sticklers for protocol and mindful of their comforts; officers caught between discipline and solidarity toward their men, whom they cannot even provide with bread—though, after all, the soldiers are peasants accustomed to starvation.
It is all written in a little leather-bound notebook
, says Mr. Pyle in the prologue,
which has been yellowing ever since, in the drawer of a wobbly desk, exiled for many years in the drawer, (...) a regrettable account of things done many years ago, and done poorly.
Already in Romanzo russo, written in 1998 and set in Gorbachev's Russia (see the review on this site), one senses a kind of alienation regarding the moral and institutional dissolution of the Soviet Union; here, that feeling is even more pronounced, perhaps because the events are so distant in time. Robert Pyle is, at bottom, a spectator; even during the bloody Battle of Jena, his primary concern is his own survival, astonished to find himself caught up in this tragedy despite everything. On the other hand, Barbero is first and foremost a historian, and his profession compels him to remain detached, subtly ironic at times, but never emotionally enmeshed with his characters or their painful plights. To be sure, the author's convictions are clear: it is easy to talk of war from afar; one must experience it from the perspective of the humble, only then discovering the vast gulf between crisp, orderly maneuvers on a parade ground and what actually unfolds on a battlefield. Not to be seduced by technology, we must always remember that there are men and women, children and the elderly, and they are the true protagonists of war. Even more than in Romanzo russo, an intense ethical dimension shines through—a stern indictment of the fatuity of the ruling and intellectual classes, whether Fichte and Goethe or our American gentleman.
One might say Barbero writes as he speaks: fluidly, laden with parenthetical remarks, precise and evocative in his descriptions. It reads smoothly, were it not for the fact that one all too often loses one's way in a repetitive, prolix plot. The extensive description of the Battle of Jena redeems the entire narrative, which had threatened to fray to the point of unraveling into formless excess.
Why read it? For history lovers it is a gem—a remarkably timely novel.
